"Crush" kept me on the edge of my seat. It was exciting from the very start right up to the end with a lot of surprises along the way. I really enjoyed the book and would recommend it to anyone who wants to experience the emotions and excitement of true crime. Samuel E. Stone's ability to pull you into the story line is beyond belief...it's great... I could not put it down...Thank You, Samuel E. Stone keep the stories coming...

Wow, what an action grabbed. Crush seems to just pull you into the lives of the undercover cops revealing all the human emotions they experience. It's down to earth, with realistic overtones of political corruption, mistakes, coverups, life, and death situations. I couldn't put it down and when I was done it left me wanting more. A Great novel by Samuel E. Stone

Every page is a visual feast! A wide variety of specimens. The back flap is a double-sided tear-out casting board of the compass & astrological layouts that opens out to 11x11. (serene tans & blues) For each stone, there are sidebars on color, hardness, composition, qualities, chakras; personality, energy; & the text breakdown is Myth & History, Spiritual & Healing Properties, and Divinatory Interpretations. There are specific interpretations for each stone in each position of the compass board(8 directions + center) and the astrological board(12 houses/signs). *The only other book I've seen that goes into such detail is The Crystal Wisdom Kit(which includes the stones- only 12). The more hard-to-find/expensive stones are flint, celestite, selenite, topaz & rubellite IN lepidolite. There is only a 4 sentence paragraph stating that runes & bone oracles are examples of the 2nd type of casting: where each item has a specific meaning to be related to the pattern of items around it. If you want rune-based layouts look at The Little Giant Encyclopedia of Runes. The other method uses the I Ching & geomancy (again- no details) as examples. Scrying & pendulum dowsing are included. The resource directory lists 6 US suppliers and 3 UK suppliers.

It's a beautifully put-together book filled with color photos, drawings and charts. It discusses how to select your personal stones, stones for the day or event or other purposes. It also discusses each stone's history, origins, use, spiritual and divine interpretation, chakra relationships, etc.

What distinguishes this book from another gem book in my mind is that the author has shared her insight of each stone in a meaningful and concise way. It's in a way like getting a psychic reading. It tells you what kind of person you are and what state of mind you're in. Very entertaining and quite accurate.

I think the book is a good value for the money. It's printed on thick, glossy paper, filled with good information, and can serve well as a good coffee table book also. Everyone will find something interesting in there at a party or meeting, and if you keep it for your viewing only, it will be like a collector's item.

This book has sparked some incredible hiking for the dog and I. The descriptions of each hike are excellent. One awseome spot the book guided me to was Santa Paula Creek Canyon which has a beautiful stream and deep pools for swimming. Pointers are provided for finding trail heads. If you are going to venture out into the Sespe/Los Padres Wilderness, however, I reccomend buying a good topographic trail map. This is primarily an "idea" book.

An easy to use hiking book, small enough to fit into one's daypack. Coverage of the county is excellent, directions to trailheads are clear. It's the only book available that covers most of Ventura County.

This well researched volume is a history of The Day Paper, its inception and growth under the revered Theodore Bodenwein (1864-1939), and its evolution over the years into the independent, well staffed paper of record for New London and Southeastern Connecticut. The well researched book (and in many places opinionated which makes it all the more interesting) chronicles the history, the economy, politics and personalities of New London since the Civil War to the present through the eyes of the paper and its editors.

But it is much more than history. It is a story of people and how several strong minded people, especially Mr. Bodenwein, shaped the paper into a community institution and made a difference. It is a story of the survival of The Day as an independent institution as it weaved its way through the Depression, two world wars, the death of Mr. Bodenwein, disinherited heirs, the paper's subsequent bureaucracy, the machine politics of this very ethnic town, the Internal Revenue Service and its reinvention as a modern institution.

Greg Stone, a native son, made New London come alive through his many anecdotes and opinions. And importantly, The Day (its writers, its management and directors) deserves accolades for enabling Greg Strong to write this book. No wonder it is the paper of record for New London and the surrounding county. As a former Day paperboy and New London native who reads theday.com from his desk in Los Angeles, thank you.

THE DAY PAPER: The Story of One of America's Last Independent Newspapers, by Gregory N. Stone, The Day Publishing Company, New London, 2000

Sometimes you approach a book with great anticipation, and at other times, with an equally great apprehension. I approached THE DAY PAPER, by Gregory N. Stone, with both of those two mind sets in full operational mode. I was eager to read it, because the history of any daily paper that has been around for almost 120 years has the potential to be interesting. In addition, as a regular reader of The Day, and someone with a particular interest in the history of the area it covers, I had a built-in bias towards the subject. But there were good reasons to be skeptical, too. A history that's published by the same paper it chronicles? It didn't sound promising. What kind of objectivity could I expect? I braced myself for what might well turn out to be an eyeball-glazing puff piece. Well, I need not have worried. THE DAY PAPER is not only a good book, it is a sensationally good book. Gregory N. Stone has somehow managed to distill in its pages the whole multifaceted story of The Day and the community it serves in a way that literally pulls the reader along. There are surprises on every page. Gossip. Jokes. Wry insights. Even the occasional tug at the heartstrings, for the sentimentally inclined. Most significantly, there is no pandering, no glossing over of the more embarrassing details, nothing to slow down the pace or cause the reader to wonder what "really happened." The credit for this wonderful book (and I mean that--it really is wonderful) must go to its author, who has somehow found a way to piece together an extraordinarily diverse saga covering thousands of lives, hundreds upon hundreds of incidents, occurring over a century and more, and to give it a shape and a dynamic that impels the reader to want to know what happens next... and next... and next. The author has certain advantages going for him, and he has made good use of them all. First, he has been blessed with publishers who had the wisdom and taste to keep out of his way. As Stone describes it in his introduction, he was instructed to tell the story of the paper "warts and all," and he has done just that. Second, he has a subject that is compact enough to be seen whole, rather than piecemeal. He is able to treat the New London area and its newspaper intimately, so that the reader can follow a remarkably coherent story of the city and The Day as together they pursue their combined destiny from the post-Civil War era to the present. The third advantage Stone has going for him is that he has a hero, an extraordinary, almost legendary hero, the remarkable Theodore Bodenwein, whose rags-to-riches biography and lifelong commitment to New London gives the story its thrust, its moral center, and finally, its remarkable resonance. Bodenwein, who ran the paper for almost fifty years, from 1891 until 1939, was a newspaperman of remarkable ambition and brains, who grasped to a degree few others matched, the symbiotic relationship between a newspaper and its community. Like the more famous immigrant publisher, Joseph Pulitzer, he had a strong sense of public responsibility, and felt obliged to serve those to whom he sold newspapers. Bodenwein died in 1939, having fought innumerable battles to improve the city and to outsmart competitors (in 1900 there were three dailies in New London), but he was determined that his newspaper would not die with him. By the terms of his will, he made The Day as close to immortal as human ingenuity and the laws of inheritance could devise. Essentially, he disinherited his heirs, and locked the newspaper's ownership in a trust, so that it might always be able to protect itself from being gobbled up by some predatory chain. As Gregory Stone makes clear, Bodenwein's legacy is still very much alive, and a remains a cornerstone of the newspaper's culture. But as he also makes clear, his hero was a human being, not a plaster saint. Bodenwein led a full life, and Stone lets us in on a lot of interesting details, including his roving eye, his various real estate schemes, certain personal pecadillos, and the alacrity with which he was able to switch political affiliations when it suited his purposes. What does the book cover? Just about everything. It begins, in the style of Citizen Kane, with the death of the press baron Theodore Bodenwein, then flashes back to his arrival, as a five year old immigrant from Dusseldorf, to the little city of New London. Stone paints a beguiling picture of what it must have been like in the 1870s, when local boosters were already promoting New London's healthy climate, deep water harbor, railroad connections and strategic location as the perfect combination of factors for the metropolis of the future. (Sound familiar?) I was particularly taken by the description of Bertie LaFranc, the star attraction at Lawrence Hall, who billed herself as a "pedestrienne," and entertained local audiences by walking fifty miles in less than twelve hours along a course within the hall that had been marked out by a surveyor. (Apparently, it didn't take a whole lot to attract a crowd in New London in those days.) Stone's story continues at a rollicking clip, chronicling the ups and downs of New London and The Day, identifying seemingly unconnected events, and tracing the way things grow and change. We see how an apparently insignificant U.S. Navy coaling station, established after the Civil War, gradually grew into the most important submarine base in the world; we witness the launching, in 1904, of the world's largest ship, the Minnesota, at the Groton shipyard, which eventually metamorphosed into Electric Boat; we see how the advent of electrical power led to the development of trolleys, which in turn enabled The Day to expand circulation; how the founding of Connecticut College and the Coast Guard Academy improved the city's academic profile (while simultaneously playing hob with the tax base)....

This book has changed my ministry. I have been a pastor for 20 years with a degree in social work and lots of graduate credits in pastoral care and counseling, and did not expect this book to impact me so much. Stone makes a solid case for a framework for pastoral counseling that is of necessity short-term and forward looking. Then he puts ministry to those who are depressed, the "common cold of mental health," into that context. The result is outstanding. It is a foundational work for my own book with Augsburg Fortress that will be out in 2002, titled "When You Are Depressed." This review is unsolicited and heartfelt. +

Introduction: A View of Depression (Depression on the Rise, The Depressed as Church Members) PART ONE: ASSESSMENT Chap 1: Characteristics of Depression (Causes of Depression, Major Depression, Grief, Alcohol). Chap 2: Melancholy and Spiritual Desolation (Dark Night of the Soul, Accidie, Desolations, Anfechtungen, Discernment). Chap 3: Suicide and Depression (Assessing Suicide Risk, The Minister's Response to Suicide). Chap 4: Family Life of the Depressed (Impact of Depression on Interpersonal Relations, Marriage and Depression, Gender Differences, Children and Adolescents). Chap 5: Framing Hope (Reframing, Establishing Future Goals, Hope-Oriented Conversation, Strengths). PART TWO: ACTION Chap 6: Brief Pastoral Counseling of Depression: A Fourfold Approach (Assessment of Depression, How Clergy Think about Depression, The First Session, Counseling Methods). Chap 7: Interpersonal Interventions: Strengthening Intimate Relationships (Relationships of the Depressed, Life with a Depressed Person; Individual, Couple and Family Counseling, Communication, Problem Solving and Change). Chap 8: Physiological Interventions: Prozac and Beyond (Physiological Vulnerability, Body Image, Hormones, Types of Antidepressant Medications, Sleep Disturbances, Exercise). Chap 9: Cognitive Interventions: Changing How People Think (Misinterpreting Experience, Information-Processing Errors, Changing How the Depressed Think, Countering Rumination). Chap 10: Behavioral Interventions: Shifting from Passive to Active Mode (Getting Active, Homework Tasks, Control, Obstacles to Getting Active, Helpful Activities for the Depressed, Counseling Methods to Change Behavior, Prescribing Depression).

Every sculptor should own this book, and it's really the only one you need. Meilach's volume makes a good supplement, but really that's all it is; Liebson's book easily stands on it's own as the standard reference.

Why? Almost the entire book is devoted to the craft and mechanics of carving stone. Liebson looks like someone's dad, and writes like it, too -- this book eschews all discussion of "art" in favor of simple, practical advice on "how to do it." From selecting a stone and tools to using and caring for those tools to finishing, polishing, mounting, and displaying your sculpture, even to gaining exhibitions and marketing your work, Liebson covers absolutely everything you need to know to get started, and to keep going. I've been carving for over five years now, and I still refer constantly to this book.

This book has aroused in me a great deal of enthuiasm for the process of shaping stone and the creation of art forms out of stone. Liebson is an authority on the subject and he writes extremely well. Manufacturers and suppliers of tools and stone are listed in an index. A list of recommended tools is provided as well as a fairly comprehensive description of how to best utilize these tools. The photographs are interesting and informative. An inspirational book. Of the three books on stone sculpture which I've read, this is by far the best.

I was a student of Harris Stone's for several classes during my career at KU's School of Architecture and Urban Design in the 1980's. The book "Dispersed City of the Plains" is just so very typical of Harris. Harris was one of the best Critics (that's the code word for Architecture Teacher, Professor, etc.) that I ever had. He was truely wise. Stone had a way of looking beyond what was fashionable to print in the Professional Journals to see the truth in the Architecture. Harris always taught us, as students in Kansas, to be proud of our herritage. He had the ability to see the art in what others disregarded as mundane and below their recognition. Harris was a proponent for the masses, the end users of Architecture. It didn't matter to him how great a building was proclaimed if it didn't serve it's purpose for it's users. Stone's books always remind us to design for the people, and the environment, not the Journals.

This is a challenging, original analysis of the meaning of the built environment of the Great Plains. The author begins much the way that Walter Prescott Webb did in his pioneering work on the same subject, by analyzing the building blocks that organize space and the economy of the region, in this instance grain elevators, barbed wire, and windmills. He then moves through types of housing, and communities from hamlet to major city.

Harris Stone's basic thesis is threefold: 1. The Great Plains experienced a fundamentally different pattern of settlement than the Eastern U.S., because the land was subdivided before settlers arrived; 2. European models of city form are not valid for analyzing the built environment of the Plains; 3. Instead, the settlement pattern of the Plains is a work in progress that anticipates the impact of today's information-age economy, and it should be evaluated accordingly.

The author's text is handwritten, with his own drawings illustrating his points. His ideas are spare and challenge the reader to participate and "fill in the blanks." His style is somewhat akin to the way Jane Jacobs analyzes city life, while his conclusions contrast dramatically with hers.

There is also a poignance that permeates the book, because Harris Stone was dying of cancer as he wrote it. Too weak to finish preparation of the text for publishing, his wife and colleagues at the University of Kansas School of Architecture completed the final few pages, in a different style of handwriting and illustration. One mourns the loss of so original a thinker, as one is simultaneously stimulated by his text.

This book is an easy-to-read, practical description of how one family lived their faith. It is inspiring and encouraging.

Reading of the various aspects in which God guided this family as they "Acknowledged Him in all their ways" is inspirational, especially because I know each story is true as reported... I am the author's husband of over thirty-seven years.

This is the best book I have ever seen on diamonds, gemstones and jewelry. I contains excellent information on what to look for in each category of gemstones. It also contains great photo examples of properly cut stones and common problem areas. It explains the independent lab grading process and shows how to read the grading reports.

One of the best books ever written if you are interested in collecting or investing in diamonds and colored gemstones. Discusses basic gemology, an analysis of the most commonly traded gemstones, colored gemstone and diamond grading with laboratory grading reports, gemstone treatments, pricing cycles, gemstone investing, gemstone markups and appraisals. Although this book is a little out of date, it is an excellent resource for beginners.

I read this book a couple of times long many moons ago but still must concur with those who say it's a great book. The author, John Greenway, enflamed the passions of students at his university and he claimed he was, by their lights, the campus reactionary. Alack! The students did not know that in a review of one of his early books, American Folksongs of Protest, he was described by the Soviet Appartchik reviewer as "America's most progressive folklorist." Gotta love the dichotomy! Greenway was also chummy with Woody Guthrie, Aunt Molly Jackson and a folksinger in his own right. In fine, Dylan himself even pilfered one of his songs.

The author, John Greenway, was my professor. This book is without doubt his masterpiece, his magnum opus. It takes the reader on a profound journey into the heart of Australia, explaining and teaching about Culture itself, the great driving engine of all human social organization. His chapter on religion is succinct and potent, and perceptive students will be indelibly changed by its insights. Dr. Greenway spent 15 years in the desert among the aborigines. His amusing tales of the characters he met and studied are almost mythic as described, a testimony to Greenway's powerful literary style (he was a student of Anglo-Saxon literature and folksongs, and studied under the great MacEdward Leach at the University of Pennsylvania). His storytelling ability is his strongest asset. But more important, the reader will be lifted above his own culture to see why people act as they do. I predict that this book will be republished some day and become a recognized text in cultural anthropology. Dr. Greeenway was a pioneer, and far ahead of his time.